{"id":17144,"date":"2019-05-08T10:00:37","date_gmt":"2019-05-08T08:00:37","guid":{"rendered":"https:\/\/www.diedruckerei.de\/magazin\/?p=17144"},"modified":"2025-05-19T09:55:53","modified_gmt":"2025-05-19T07:55:53","slug":"spot-colours","status":"publish","type":"post","link":"https:\/\/www.onlineprinters.ie\/magazine\/spot-colours\/","title":{"rendered":"Everything you need to know about spot colours"},"content":{"rendered":"<p><span lang=\"EN-GB\">Spot colours can add something special to your print project and they may even help reduce print costs in some cases. Below you will find an overview of the key facts on spot colours.<\/span><\/p>\n<p><!--more--><\/p>\n<p><span lang=\"EN-GB\">Want to print metallic or neon colours? No problem \u2013 colours that cannot be mixed using the four process colours cyan, magenta, yellow and key can be implemented using the so-called\u00a0spot colours or solid colours. But first things first.<\/span><\/p>\n<h2><span lang=\"EN-GB\">Process colours and colour mixing<\/span><\/h2>\n<p><span lang=\"EN-GB\">Standard four colour print uses the four inks cyan (C), magenta (M), yellow (Y) and black\/key (K),hence the name CMYK. These four print inks are also called process colours. CMYK printing uses layered dots of ink to simulate a full spectrum of colours. To produce green, for instance, specific percentages of yellow and cyan are printed over one another.<\/span><\/p>\n<h2><span lang=\"EN-GB\">Spot colours<\/span><\/h2>\n<p><span lang=\"EN-GB\">Spot colours or solid colours in contrast are premixed inks. In order to print green, all you need is therefore a can of premixed green spot ink.<\/span><\/p>\n<p><span lang=\"EN-GB\">Spot colours have some advantages over process inks. They allow printing colours that are impossible to produce by mixing the process colours. This includes, for example, metallic and neon colours but also gold and silver, opaque white and certain greens and blues. Depending on the shade, spot colours may also appear brighter. In so far, they are indispensable to complement the colour spectrum that can be implemented with process inks. But they cannot completely substitute process colours.<\/span><\/p>\n<figure id=\"attachment_8074\" aria-describedby=\"caption-attachment-8074\" style=\"width: 696px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-machine.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"td-modal-image wp-image-8074 size-large\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-machine.jpg\" alt=\"A row of industrial machines with hoses and control panels sits inside a modern factory setting, where spot colours highlight key features against gray walls and visible overhead pipes in the background.\" width=\"696\" height=\"364\" \/><\/a><figcaption id=\"caption-attachment-8074\" class=\"wp-caption-text\">A lot of printing presses have a fifth printing unit for spot colours in addition to the four CMYK units.<\/figcaption><\/figure>\n<h3><span lang=\"EN-GB\">Colour fidelity<\/span><\/h3>\n<p><span lang=\"EN-GB\">Colour fidelity is another reason to use spot colours. If you have ever painted with water colours, you will know that it can be quite challenging to mix blue and yellow to exactly the same shade of green every time. We face the same challenge when printing with process colours. Companies that use a specific colour as part of their corporate design printed on all their business correspondence may be disappointed to see slight colour deviations depending on the printing process and press even though the colour composition is the same each time. Such colour variations can be avoided by using ready-mixed spot colours.<\/span><\/p>\n<h3><span lang=\"EN-GB\">Reducing the number of print passes<\/span><\/h3>\n<p><span lang=\"EN-GB\">As explained above at the example of green, the use of spot colours can reduce the number of passes through the printing press which can ultimately be cheaper than CMYK in some cases. A flyer designed in green and black needs three passes when printed with process colours \u2013 cyan, yellow and black. But if the same product is printed with spot colours, only green and black are necessary and thus only two passes. However, the costs saved are frequently offset by the higher price of spot colours compared to CMYK inks.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-17144 gallery-columns-2 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-b.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-b-213x300.jpeg\" class=\"td-modal-image attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-16270\" srcset=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-b-213x300.jpeg 213w, https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-b-298x420.jpeg 298w, https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-b.jpeg 678w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16270'>\n\t\t\t\tWhen using process colours, green has to be mixed from cyan and yellow.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-a.jpeg'><img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-a-213x300.jpeg\" class=\"td-modal-image attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-16282\" srcset=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-a-213x300.jpeg 213w, https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-a-298x420.jpeg 298w, https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-flyer-a.jpeg 678w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-16282'>\n\t\t\t\tAn additional pass is therefore necessary compared to printing solid green.\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><span lang=\"EN-GB\">Now if we add red as a third colour to our design project, both printing methods would require three passes. When printing even more colours (and coloured images), process colours are again indispensable.<\/span><\/p>\n<p><span lang=\"EN-GB\">Often it is recommended to use a combination of the two, i.e. you print with process colours and add a fifth spot colour to implement neon text, metallic elements or the brand colour, for example. To learn how to set up a fifth colour in your artwork, read\u00a0<\/span><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/create-fifth-colour-spot-colour-relief-varnish-uv-ink\/\"><span lang=\"EN-GB\">The 5thcolour:relief varnish, UV coating and spot colours<\/span><\/a><span lang=\"EN-GB\">.<\/span><\/p>\n<h3><span lang=\"EN-GB\">Pantone and HKS<\/span><\/h3>\n<p><span lang=\"EN-GB\"><a href=\"https:\/\/www.pantone.com\/color-finder#\/pick?pantoneBook=pantoneSolidCoatedV3M2\">Pantone<\/a><\/span><span lang=\"EN-GB\">\u00a0and\u00a0<\/span><span lang=\"EN-GB\"><a href=\"http:\/\/hks-colors.com\/\">HKS<\/a><\/span><span lang=\"EN-GB\">\u00a0produce commercially available spot colours. Both manufacturers present their colour gamuts on colour charts available on different paper types and for different applications.<\/span><\/p>\n<p><span lang=\"EN-GB\">Pantone is known worldwide as a colour provider and its products are commonly used. The company differentiates between three different paper stocks: coated paper (C), uncoated paper (U) and matte paper (M).\u00a0Moreover, Pantone offers ready-made colour charts for specific colour groups such as metallic and neon colours.<\/span><\/p>\n<figure id=\"attachment_17170\" aria-describedby=\"caption-attachment-17170\" style=\"width: 569px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17170 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-pantone.jpeg\" alt=\"Screenshot of the New Colour Swatch dialog box in design software, showing PANTONE 360 C selected from a list of spot colours, with options to add, cancel, or confirm selection.\" width=\"569\" height=\"425\" \/><figcaption id=\"caption-attachment-17170\" class=\"wp-caption-text\">The Pantone offering in Adobe InDesign<\/figcaption><\/figure>\n<p><span lang=\"EN-GB\">HKS colours are mainly used in Germany. The manufacturer distinguishes between coated paper (HKS K), natural uncoated paper (HKS N), newspaper (HKS Z) and continuous form paper (HKS E). Each spot colour is characterised by a number and a letter for the paper resulting in a clearly structured system.<\/span><\/p>\n<figure id=\"attachment_17168\" aria-describedby=\"caption-attachment-17168\" style=\"width: 569px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17168 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-hks.jpeg\" alt=\"A screenshot of the New Colour Swatch window in a design software, showing the selection of the HKS 14 N spot colour in the HKS N color mode. The Add to CC Library checkbox is selected.\" width=\"569\" height=\"425\" \/><figcaption id=\"caption-attachment-17168\" class=\"wp-caption-text\">HKS marks its colours with numbers.<\/figcaption><\/figure>\n<h2><span lang=\"EN-GB\">Process and spot colours in InDesign<\/span><\/h2>\n<p><span lang=\"EN-GB\">Both manufacturers are represented in standard software products, notably InDesign and QuarkXPress. Both HKS and Pantone spot colours are set up using colour swatches in these two programs.<\/span><\/p>\n<h3><span lang=\"EN-GB\">Setting up spot colours in InDesign<\/span><\/h3>\n<p><span lang=\"EN-GB\">To set up HKS and Pantone colours, choose\u00a0<\/span><span lang=\"EN-GB\"><span class=\"guideline\">New Color Swatch<\/span>\u00a0<\/span><span lang=\"EN-GB\">from the Swatches panel menu (if it is hidden, show it via\u00a0<\/span><span lang=\"EN-GB\"><span class=\"guideline\">Window<\/span>\u00a0<\/span><span lang=\"EN-GB\">&gt;\u00a0<\/span><span lang=\"EN-GB\"><span class=\"guideline\">Color<\/span>\u00a0<\/span><span lang=\"EN-GB\">&gt;\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatches<\/span><span lang=\"EN-GB\">). Press Shift to select multiple colours and add them all at once.<\/span><\/p>\n<p><span lang=\"EN-GB\">To load the entire range of spot colours into your layout program, you have to take a detour. In InDesign, the swatch libraries are located in the folder<\/span><\/p>\n<pre><span lang=\"EN-GB\">C:\\Program Files\\Adobe\\Adobe InDesign CC 2019\\Presets\\Swatch Libraries<\/span><\/pre>\n<p><span lang=\"EN-GB\">In Photoshop this is different: Here you can load complete swatch collections in the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatches<\/span><span lang=\"EN-GB\"> panel with a mouse click.<\/span><\/p>\n<h3><span lang=\"EN-GB\">Determine the colour type<\/span><\/h3>\n<figure id=\"attachment_17175\" aria-describedby=\"caption-attachment-17175\" style=\"width: 255px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17175 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-swatches.jpeg\" alt=\"Screenshot of the Swatches panel in Adobe InDesign, featuring a range of color swatches including [None], [Registration], [Paper], [Black], various CMYK colors, plus spot colours like PANTONE and HKS swatches.\" width=\"255\" height=\"411\" \/><figcaption id=\"caption-attachment-17175\" class=\"wp-caption-text\">The colour type is indicated by the icon to the right of the colour name. The colour mode defines how a colour is composed and has no impact on the output.<\/figcaption><\/figure>\n<p><span lang=\"EN-GB\">In the overview of the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatches<\/span><span lang=\"EN-GB\">\u00a0dialog box, you can see which colours you presently work with: Process colours that are printed on four separate plates have a grey box to the right of the colour specification; spot colours in contrast are represented by a box containing a small grey circle. These two icons indicate the status which InDesign refers to as the colour type and which is relevant for colour output.<\/span><\/p>\n<p><span lang=\"EN-GB\">The second icon indicates the colour mode which only affects the type of mixing when setting up the colour in InDesign. The CMYK icon here only means that these colours were mixed in CMYK mode but this will not affect the output. Alternatively, a colour mixed in RGB mode will show the RGB icon; HKS and Pantone can be selected, too. But bear in mind that if you chose HKS mode here but selected CMYK as the colour type, the HKS colour will be separated in the four process colours and not output as a spot colour.<\/span><\/p>\n<h3><span lang=\"EN-GB\">Converting colours in InDesign<\/span><\/h3>\n<p><span lang=\"EN-GB\">Both categories, the colour type and the colour mode, can also be changed at a later time. This means that you can convert each spot colour to a process colour and vice versa. In the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatch<\/span><span lang=\"EN-GB\">\u00a0dialog box you can generate new colours. The associated\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatch Options<\/span><span lang=\"EN-GB\">\u00a0dialog allows you to change the colour type and the colour mode.<\/span><\/p>\n<p><span lang=\"EN-GB\">So if you initially choose to use Pantone and HKS colours for your design project but change your mind later in the process, you can change the colour type to convert any spot colour to process.<\/span><\/p>\n<div>\n<div class=\"custom-background custom-background-donts\">\n<p><span lang=\"EN-GB\">Spot colours can be changed to CMYK in InDesign and other programs at any time. In this case, you don&#8217;t have the benefits of a spot colour and may experience colour shifts.<\/span><\/p>\n<\/div>\n<p><span lang=\"EN-GB\">If you enable several spot colours at the same time, you can also convert them all at once. But bear in mind that this can produce the well-known colour shifts or that certain colours may not print at all.<\/span><\/p>\n<\/div>\n<figure id=\"attachment_17173\" aria-describedby=\"caption-attachment-17173\" style=\"width: 507px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17173 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-colour-convert.jpeg\" alt=\"Dialog box titled Swatch Options with settings for a PANTONE color. The colour type is set to spot colours, and sliders for Cyan (41%), Magenta (0%), Yellow (85%), and Black (0%) are shown.\" width=\"507\" height=\"403\" \/><figcaption id=\"caption-attachment-17173\" class=\"wp-caption-text\">Converting the colour is done by changing the colour type.<\/figcaption><\/figure>\n<h3><span lang=\"EN-GB\">Trust, but verify the output<\/span><\/h3>\n<p><span lang=\"EN-GB\">Check the print dialog of InDesign to verify whether the colours in your document are actually output as desired. In the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Print<\/span><span lang=\"EN-GB\">\u00a0dialog box,\u00a0choose\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Separations<\/span><span lang=\"EN-GB\">\u00a0in the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Color<\/span><span lang=\"EN-GB\">\u00a0<\/span><span lang=\"EN-GB\">drop-down list box in the\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Output<\/span><span lang=\"EN-GB\"> section to display all colour separations to be output.<\/span><\/p>\n<p><span lang=\"EN-GB\">If only the four process colours are displayed here, no spot colours will be used. If the document contains spot colours, these will also be listed in the overview with their name.<\/span><\/p>\n<p><span lang=\"EN-GB\">Click the printer icon to prevent output of the corresponding colour separation. Click the\u00a0<\/span><span lang=\"EN-GB\">Ink Manager<\/span><span lang=\"EN-GB\">\u00a0button to open the <span class=\"guideline\">Ink Manager<\/span> dialog in which you can check and convert the colours.<\/span><\/p>\n<figure id=\"attachment_17172\" aria-describedby=\"caption-attachment-17172\" style=\"width: 929px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-output-indesign.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"td-modal-image wp-image-17172 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-output-indesign.jpeg\" alt=\"A computer screen shows print settings and an Ink Manager window. The print menu displays options like printer, color, and output. The Ink Manager lists spot colours, ink types, names, and density values for precise print management.\" width=\"929\" height=\"617\" \/><\/a><figcaption id=\"caption-attachment-17172\" class=\"wp-caption-text\">The Print menu and the Ink Manager allow converting spot colours to process.<\/figcaption><\/figure>\n<p><span lang=\"EN-GB\">To get a quick overview while working on a layout, you can also use the\u00a0<\/span><span lang=\"EN-GB\"><span class=\"guideline\">Output<\/span>\u00a0<\/span><span lang=\"EN-GB\">\u00b7\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Separations Preview<\/span><span lang=\"EN-GB\"> window which shows the necessary colour separations.<\/span><\/p>\n<h2><span lang=\"EN-GB\">Setting up and converting colours in Adobe Illustrator<\/span><\/h2>\n<p><span lang=\"EN-GB\">To use Pantone or HKS colours in Adobe Illustrator, the first step involves a bit more work since the colours cannot be initially accessed through the swatch options but have to be loaded.<\/span><\/p>\n<p><span lang=\"EN-GB\">Choose\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Open Swatch Library<\/span><span lang=\"EN-GB\">\u00a0&gt;\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Other Library<\/span><span lang=\"EN-GB\">\u00a0from the Swatches panel menu to be taken immediately to the en_US folder. Here, choose\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Swatches<\/span><span lang=\"EN-GB\">\u00a0&gt;\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Colour Books<\/span><span lang=\"EN-GB\">\u00a0subfolder to navigate to predefined colour charts including Pantone and HKS. If you click on a colour book, Illustrator will open it in a separate window.<\/span><\/p>\n<figure id=\"attachment_17174\" aria-describedby=\"caption-attachment-17174\" style=\"width: 1540px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-colour-shop-illu.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"td-modal-image wp-image-17174 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-colour-shop-illu.jpeg\" alt=\"A computer file browser window shows the Color Books folder open, displaying various spot colours ACH files, with HKS K.acb highlighted. The left sidebar lists locations like Applications, Desktop, and Documents.\" width=\"1540\" height=\"362\" \/><\/a><figcaption id=\"caption-attachment-17174\" class=\"wp-caption-text\">Loading spot colours in Illustrator<\/figcaption><\/figure>\n<p><span lang=\"EN-GB\">The process of defining the colour in Adobe Illustrator is very similar to that in InDesign. The colour type is decisive for the output here, whereas the colour mode has no influence as in InDesign.<\/span><\/p>\n<p><span lang=\"EN-GB\">If you display the colours by their name, you will also see icons to the right of the colour names as in InDesign: Spot colours are represented by a white circle in a dark box; process colours are displayed without an icon. The second icon again represents the colour mode.<\/span><\/p>\n<p><span lang=\"EN-GB\">Global process colours are easily identified in Illustrator\u2019s swatches palette by their empty white triangle in the lower right corner of the swatch. Spot colours are always global; a global spot colours has a black dot in the white triangle.<\/span><\/p>\n<figure id=\"attachment_17176\" aria-describedby=\"caption-attachment-17176\" style=\"width: 538px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17176 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-swatches-illu.jpeg\" alt=\"Screenshot of Adobe Illustrator\u2019s Swatches panel displaying various spot colours, including HKS N options, alongside a swatches list featuring White, Black, Green, and several HKS N shades.\" width=\"538\" height=\"362\" \/><figcaption id=\"caption-attachment-17176\" class=\"wp-caption-text\">The HKS colours in Illustrator are global spot colours as indicated by the icon.<\/figcaption><\/figure>\n<p><span lang=\"EN-GB\">Converting colours is therefore similar. To convert a spot colour to process, open the swatch options of a colour and then change to CMYK colour mode. Subsequently, change the colour type from spot to process colour.<\/span><\/p>\n<figure id=\"attachment_17169\" aria-describedby=\"caption-attachment-17169\" style=\"width: 434px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17169 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-convert.jpeg\" alt=\"A screenshot of the Swatch Options dialog in a design program. The swatch name is HKS 34 N, color type is set to Spot Color, displaying spot colours with CMYK values. OK and Cancel buttons appear at the bottom.\" width=\"434\" height=\"399\" \/><figcaption id=\"caption-attachment-17169\" class=\"wp-caption-text\">Converting a spot colour to process in Illustrator<\/figcaption><\/figure>\n<h3><span lang=\"EN-GB\">Final check in Adobe Illustrator<\/span><\/h3>\n<p><span lang=\"EN-GB\">In Adobe Illustrator you can also verify the settings in the Print menu. Click\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Output<\/span><span lang=\"EN-GB\">\u00a0&gt;\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Separations<\/span><span lang=\"EN-GB\"> under Mode. Click on the printer in front of the colour separation name to enable and disable the output of the respective colour. Click the colour icon to convert the spot colour to process.<\/span><\/p>\n<h2><span lang=\"EN-GB\">Verifying spot colours in Acrobat<\/span><\/h2>\n<p><span lang=\"EN-GB\">In a PDF document you can also check which colours were used in the document. The free Reader is not up to the task, but you can use Adobe Acrobat Pro to check the colour space of a PDF file.<\/span><\/p>\n<p><span lang=\"EN-GB\">Use the Preflight tool in the Print Production panel to check and change the colour systems of your document based on detailed profiles also with regard to its colour types. To check and if necessary change the colour separations, choose Print Production &gt; Ink Manager. This dialog box lists all spot colours set up in the document that would also be output as an additional colour. Click the &#8220;Convert All Spots to Process&#8221; check box at the bottom of the dialog box to convert the spot colours to process.<\/span><\/p>\n<p><span lang=\"EN-GB\">In the Print menu of Adobe Acrobat Pro you can make one last check. Click\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Advanced<\/span><span lang=\"EN-GB\"> to also show all colour separations here. If you change your mind at this point, click\u00a0<\/span><span class=\"guideline\" lang=\"EN-GB\">Ink Manager<\/span><span lang=\"EN-GB\">\u00a0to open the above dialog which also provides the conversion option.<\/span><\/p>\n<figure id=\"attachment_17171\" aria-describedby=\"caption-attachment-17171\" style=\"width: 1175px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-acrobat.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"td-modal-image wp-image-17171 size-full\" src=\"https:\/\/www.onlineprinters.ie\/magazine\/wp-content\/uploads\/2019\/05\/spot-colours-acrobat.jpeg\" alt=\"A computer screen displays multiple overlapping print setup windows, including printer selection, color options, advanced print settings, ink manager with CMYK and spot colours, and flyer output settings.\" width=\"1175\" height=\"800\" \/><\/a><figcaption id=\"caption-attachment-17171\" class=\"wp-caption-text\">The Acrobat Print menu allows you to verify the colours; so does the Ink Manager where they can also be converted.<\/figcaption><\/figure>\n<h2><span lang=\"EN-GB\">Print-specific settings for finishes<\/span><\/h2>\n<p><span lang=\"EN-GB\">In addition to the benefits and special characteristics of spot colours described above, certain print techniques also require using these colours.<\/span><\/p>\n<p><span lang=\"EN-GB\">Onlineprinters optionally finishes your products with coatings and foils. Even though these finishes are not inks strictly speaking, many such finishing options are treated in the same way as a fifth colour.<\/span><\/p>\n<p><span lang=\"EN-GB\">So you have to set up a fifth colour as a spot colour when applying blacklight ink, raised varnish, UV coating and silver foil to parts of your design. This spot colour must be applied to all areas to be finished. Depending on the finishing option, the spot colour must have a specific name and a certain colour. For more details, refer to the data sheet of the finishing option and read the article\u00a0<\/span><a href=\"https:\/\/www.onlineprinters.ie\/magazine\/create-fifth-colour-spot-colour-relief-varnish-uv-ink\/\"><span lang=\"EN-GB\">The 5thcolour:relief varnish, UV coating and spot colours<\/span><\/a><span lang=\"EN-GB\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spot colours can add something special to your print project and they may even help reduce print costs in some cases. Below you will find an overview of the key facts on spot colours.\t\t<\/p>\n","protected":false},"author":44,"featured_media":16277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Everything you need to know about spot colours<\/title>\n<meta name=\"description\" content=\"Spot colours can add something special to your print project and may even cost less. 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